Atomos Ninja V+

Atomos Ninja V+

Atomos Ninja V+

4 ⭐⭐⭐⭐ This Atomos Ninja V+ has been fully tested and serviced by our team of camera experts and works like new. There are some signs of previous use, but what fun is a rental if you don’t use it? Any signs of previous use are minor and superficial and there are no notable marks or scratches. All the photos to the left are of the item you would receive so you can see for yourself (yes, we really have someone downstairs photographing every preloved product). Includes: soft case and power supply

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The world’s first
8K RAW HDR monitor recorder

The Ninja V+ is the next stage in the evolution of the multi-award winning Atomos Ninja, delivering up to 8Kp30 and 4Kp120 continuous recording in Apple ProRes RAW while inheriting HDR, 4Kp60 RAW and video as well as HDp120 slow motion from it’s little brother, Ninja V.

With the ability to capture in 8Kp30 and 4Kp120, the Ninja V+ allows you to stay ahead of the game and manage your projects whilst ensuring that you have the flexibility to grow your system. Future-proofed quality and formats allow you to stay compatible with newly released and existing cameras, in a world where new cameras are released frequently and technology is advancing at an incredible pace.

The Ninja V+ takes advantage of the new Atomos Silicon chip, the AtomIC3, AtomOS 10 and the incredible efficiency of ProRes RAW to deliver these increased resolutions and frame rates. The new formats also integrate seamlessly into the timeline of your existing ProRes RAW or ProRes projects, without huge storage or processing overheads.

 

Open standard formats from every camera

Apple ProRes is the world’s Pro Video standard for Video and RAW capture, and the number of cameras which support RAW recording over HDMI on the Ninja V+ continues to grow. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes, giving filmmakers enormous latitude when adjusting the look of their images, making it an ideal solution for HDR workflows.

The Ninja V+ also captures up to 4Kp60 in 10-bit 4:2:2 from almost every camera manufacturer, like Panasonic, Nikon, Olympus, Leica, Fujifilm, Z Cam, RED and ARRI. It also builds upon the great workflow and versatility of Ninja V, that unites the world’s leading camera manufacturers and the industry standard editing software for our customers.

The Ninja Solution

Smaller cameras are incredibly capable these days, but they can still be limited in terms of battery life when recording RAW and high frame rates, use expensive internal media and can have recording limits. The Ninja V+ provides a solution to these issues with longer recording times, professional power solutions and affordable SSD media options. In addition, you get a stunningly bright 5.2” monitor with an astounding 1000nits – 10.5 stops of HDR, plus a huge range of features that can enhance your workflow, from AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & False Color through to Safe Areas and Cine Guides. Our AtomHDR engine also processes the incoming Log/RAW/HDR signals from your camera or device and displays the HDR screen of the Ninja V+.

 

Ready for the future
Starting with the Canon EOS R5

The NINJA V+ supports recording of ProRes RAW up to 8K at 30fps from both the Canon EOS R5 and the EOS R5 C mirrorless cameras. For the past two years, ATOMOS and Canon have worked together to bring customers a worldwide first for capturing stunning 8K RAW and HDR images. The clarity and detail provided by the combined technologies is truly unprecedented in such a compact, configurable, and affordable system. Canon and ATOMOS have provided an 8K solution that is accessible to filmmakers everywhere without compromising on quality. 

ProRes RAW is the perfect medium for an 8K workflow and will be a revelation for any filmmaker who has experienced dropped frames with other formats. A modern Mac computer will playback full resolution 8Kp30 ProRes RAW with ease. Editing with Final Cut Pro will provide an unparalleled real-time performance and opportunities to adjust exposure, white balance and ISO settings for each clip in post. Coupled with the established Canon EOS lens systems and powerful Servo AF technology, this combination will propel filmmakers to a whole new level in terms of image quality and production value. 

Physical Specifications  
Dimensions (W x H x D mm) 151 x 91.5 x 31 mm
Weight 360 g / 12.7 oz
Mount points Anti-rotational 3/8-16 screw mount points, 1/4-20 screw mount adaptor installed. 1x top and 1x bottom
Environmental  
Ambient operating temperature Up to 40 Degrees Celsius
Construction and Control  
Body Aluminium alloy chassis with ABS Polycarbonate back plate
Cooling Heat Sink and actively controlled fan with user selectable modes in menu
Tally light Rear and front
Multi-function button Power / lock Screen
AtomXpansion slot Yes
Power  
Input voltage 5.8 - 7.2V (Battery)
Operating power 10-22W
Compatible batteries NP-F L series and supporting accessories
Built in battery No
Battery Run time (Record) 5200mAh - up to 2hrs (monitor & record 4K 60p) 7800mAh - up to 3hrs (monitor & record 4K 60p)
Battery Run time (Monitor only) 5200mAh - up to 2hrs (monitor & record 4K 60p). 7800mAh - up to 3hrs (monitor & record 4K 60p)
Continuous power Enabled by optional AtomX SYNC Expansion Module
DC in connector Via DC Jack on Battery eliminator
Dtap Via Battery Eliminator and optional D-Tap to DC cable
Display  
Touchscreen SuperAtom IPS panel (capacitive touch) calibration to Rec.709 with optional calibration unit
Size 5.2"
Resolution 1920 x 1080
PPI 423
Bit depth 10Bit (8+2 FRC)
Backlight Type Edge lit
Brightness (cdm2 / nits) 1000 +/- 10%
Aspect ratio 16:9
De-interlace mode I > P and PSF > P
Color Gamut Rec.709
Calibration support Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus (Retail)
Color Pipeline  
Gamma Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Nikon N-Log, Panasonic V-Log, JVC J-Log1, Olympus OM-Log400 / Flat, Lecia L-Log, Z Cam Z-Log2, RED LogFilm / RED Log3G10 / RED Log3G12, FujiFilm F-log, PQ (HDR10), HLG
Gamut Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, DCI P3 / DCI P3+, Nikon NLog, Panasonic V-Gamut, Arri Alexa Wide Gamut, Rec709, BT.2020, FujiFilm F-Gamut, JVC LS300, RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display .Cube Format
3D LUT Output Loop out
3DLUT 50/50 Yes
Monitoring Modes Native / HLG / PQ / 3D LUT
HDR output Conversion Log / HDR to HLG / PQ / Dolby Vision
Video Input  
HDMI 1 x HDMI (2.0) 4k p60
HDMI RAW Apples ProRes RAW up to 8k
SDI 2 x 12G SDI Backward compatible via optional AtomX SDI module
SDI RAW Optional with AtomX SDI module + SDI RAW activation
Bit Depth 8/10-Bit Video / RAW up to 12Bit
Video Chroma Subsampling 420 and 422
HDCP copy protection Not supported
Metadata  
HDMI RAW - white balance, exposure index, shutter speed/angle, iris F-stop, ISO, gamma, gamut
SDI File name from Arri & RED via Optional AtomX SDI Module
Video Output  
HDMI 1 x HDMI (2.0) 4k p60
SDI loop out Optional Via AtomX SDI module
SDI Play out Optional Via AtomX SDI module
Video Chroma Subsampling 4:2:2
Bit Depth 10-bit Video / 12-bit RAW
Web Streaming  
USB UVC Optional Via Connect 4k
Video Signal Conversion  
HDMI to SDI Optional Via AtomX SDI module
SDI to HDMI Optional Via AtomX SDI module
Audio In/Out  
Audio Quality 24-bit 48kHz
Audio Codec PCM
HDMI 8ch 24-bit, input dependent
SDI 12ch 24-bit, input dependent
Analogue Audio in 3.5mm 2ch.
Analogue Audio Out 3.5mm 2ch.
Headphone out 3.5mm 2ch.
Timecode / Sync  
Embedded HDMI and SDI
Time of day Yes, Time and Date
LTC via 3.5mm audio Jack input (Requires post processing)
Wireless SYNC Via Optional AtomX SYNC Module
Resolution and Frame Rates (Record, Monitor & Playback)  
8k RAW Only up to 30p via HDMI
6k RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI)
5k RAW Only up to 30p via HDMI
4k DCI 23.98/24/25/29.9/30/50/59.94/60p - HFR 100/120 via RAW over HDMI & SDI on selected cameras
4k UHD 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080 Optional via AtomX SDI module
Anamorphic 3.5k: RAW up to 60p (from supported cameras only)
FHD 1920 x 1080 Progressive 23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF converted to P and looped out PsF
FHD 1920 x 1080 Interlaced 23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p 50/59.94/60p
Recording CODEC  
Apple ProRes RAW ProRes RAW, ProRes RAW HQ (Free activation via my.Atomos.com)
Apple ProRes LT, 422, 422HQ
Avid DNxHD DNxHD 220x,220,145,36 (Free activation via my.Atomos.com)
Avid DNxHR LB, SQ, HQ, HQX (Free activation via my.Atomos.com)
H.265 LQ, MQ, HQ in 8/10Bit, 422 and 420 (Free activation via my.Atomos.com)
Playback  
Playlist Yes, Create custom play lists from full or sub clips
Loop Yes, with user customisable in / out markers
Apple ProRes Raw Yes, recorded clips
Apple ProRes Yes, with Linear PCM audio
Avid DNx Yes, with Linear PCM audio
H.265 Yes, recorded clips with Linear PCM audio
Recording functions  
Pre-roll record Yes (HD 8s, 4K 2s) - Not available in RAW
Timelapse Yes
Multi Input / Switching  
SDI A/B toggle Via optional AtomX SDI module
Multiple HDMI input Via optional AtomX CAST module
Supported media  
Master Caddy I Not compatible
SSDmini Native Size and Fit
CFast II Supported cards via optional SSDmini CFAST II Adaptor
File Naming Unit Name - Scene/Shot/Take
File System ExFAT
On screen tools  
Waveform Yes, 3 size / Position
RGB parade Yes, 3 size / Position
Vector scope Yes, 2 size / Position
1 x Zoom Yes. 1:1 Pixel mapping for 4k
2 x Zoom Yes
Focus peaking Color selected / threshold setting / color / mono / edges only
False colour Yes, with Scale
Zebra Yes, Adjustable
Isolate color channel Blue Only
Cine Frame Guides 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides 9:16, 1:1, 1.91:1, 4:5
Safe areas Action and Graphic
Grid markers 9 grid
Anamorphic desqueeze 1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip Vertical Only
Onboard Signal Processing  
Pulldown Removal 24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
4K UHD Downscale for HD Loop out - 4K UHD to FHD
DCI Crop Loop out - 17:9 to 16:9 Crop
Remote control  
HDMI Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Serial 2.5mm Jack LANC control and calibration via optional USB to serial cable
Bluetooth LE Via AtomRemote app (requires AtomX SYNC module)
Wireless RF Via optional AtomX SYNC module
External Device Control  
Serial 2.5mm Jack Camera control for supported cameras via Optional USB to Serial Cable
Bluetooth LE Via optional AtomX SYNC module to compatible devices
Wireless RF Via optional AtomX SYNC module to compatible devices
Supported Applications  
XML Cut tag EDL in FCPX XML
Apple ProRes RAW Apple FCP, Adobe Premier, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs All Applications with support for Apple ProRes, H.265 and Avid DNX in .MOV wrapper