The Panasonic LUMIX S5IIX Body Only offers a broader range of pro-level video features pre-installed compared to the Lumix S5II, including HDMI RAW video data output, USB-SSD,
ALL-Intra and ProRes recording, and wireless and wired IP streaming.
Panasonic has developed a new 24-megapixel 35mm full-frame CMOS sensor that features on-sensor PDAF (Phase Detection
Auto-Focus). The new PDAF has 779 focus points, and provides total AF confidence and a strong ‘lock’ on the subject with the accuracy known from Depth From Defocus plus the smart subject detection of AI for high performance auto focus, in both photo and video modes.
Under the L2 Technology alliance formed by LEICA and LUMIX, both brands co-invested to develop a new
imaging engine that has approximately 2x higher-speed signal processing for high bit-rate video recording and improved
high burst rate photography. This makes possible Phase Hybrid AF and Active IS for reinforced command over subject tracking and stabilisation.
Other features that expand the videographer’s horizon include unlimited 4:2:2 10-bit C4K/4K recording achieved via a fan and
high-efficiency heat sink; full-sensor video shooting; and REAL TIME LUT for on-the-spot colour grading without
postproduction.
With an increased buffer memory size, the LUMIX S5IIX is capable of impressive high speed burst shooting at up
to 30 fps (AFS/AFC) with an electronic shutter in JPEG/RAW.
Key Features of the Panasonic LUMIX S5IIX Body Only
24-megapixel 35mm full-frame CMOS sensor
Phase Hybrid AF sporting on-sensor PDAF (Phase Detection Auto-Focus) with 779 focus points
New Active I.S & Dual I.S.2 with a high-precision 5-axis gyro sensor
4:2:0 10-bit 6K (3:2) full-sensor video shooting
Unlimited 4:2:2 10-bit C4K/4K recording
Active heat management system with fan and high-efficiency heat sink
14+ stop V-Log/V-Gamut capture
REAL TIME LUT for on-the-spot colour grading without
postproduction
High speed burst shooting at up to 30 fps (AFS/AFC) with an electronic shutter in JPEG/RAW.
Waveform Monitor, Vector Scope, Zebra Pattern, System Frequency
(24.00Hz), Synchro Scan, Fan mode and a control panel for quick menu selection
4-channel audio recording support via optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in
microphone
Larger EVF & 3.0-inch free-angle LCD rear monitor with touch control
Live View Composite Mode & 96-megapixel High Resolution Mode
Dual SD Card slots (UHS-II x 2)
Monochromatic all-black colour-way
External SSD Recording via USB-C
External RAW Video Output via HDMI-A (compatible with supported recorders)
All-Intra and ProRes video codecs
Wired/wireless IP streaming & USB Tethering
Pansonic Lumix S5IIX vs. Lumix S5II
External SSD Recording via USB-C
External RAW Video Output via HDMI-A (compatible with supported recorders)
All-Intra and ProRes video codecs
Wired/wireless IP streaming
USB Tethering
Monochromatic all-black colour-way
The LUMIX S5IIX has all of the remarkable features of the LUMIX S5II and more. it is the first full-frame mirrorless
camera to record directly to an external SSD (solid-state drive) via USB-C, offering workflow and cost advantages. Professionals will also benefit from the inclusion of advanced video codecs such as All-Intra and ProRes. The camera is
capable of RAW video output via HDMI supported by an external recorder. The GH5II’s
streaming capabilities were well received, and are now introduced in the LUMIX S5IIX, with features including
wired/wireless IP streaming and USB tethering – making this a perfect tool for the video/hybrid creator. The design
too, offers a superior point of difference with a LUMIX-first monochromatic all-black look.
Phase Hybrid AF with on-sensor PDAF (Phase Detection Auto-focus)
LUMIX has taken the accuracy of Depth From Defocus and the smart subject detection of AI and added Phase Detection to
offer high performance auto focus, in both photo and video modes.
The new PDAF has 779 focus points, and with the new generation processor, provides total AF confidence and a strong
‘lock’ on the subject.
With the adoption of PDAF, the AF system has evolved into Phase Hybrid AF. Advanced subject detection and metering
technologies lock on, track and capture the target subject in focus in a range of shooting situations – from fast moving
sports or multiple subjects; to vlog style content such as talking to camera in a studio or holding up an object to the
camera; and backlit or low illumination environments. Major improvements to the AF performance for overall reliability
when shooting at 24fps will make the S5II a go-to for YouTube content creators.
New Active I.S & Dual I.S.2 with a high-precision 5-axis gyro sensor
Another game-changer delivered with the S5IIX is the new Active I.S. This builds on Panasonic’s history
of innovation and reputation in the image stabilisation field by determining the status of camera shake and optimising
horizontal, vertical, and rotational correction ratios. The system can compensate for significant camera shake in video
recording, approximately 200% more when compared to the LUMIX S5. It is highly beneficial in challenging situations,
such as handheld filming while walking without using a gimbal, long-shutter handheld shots such as night-time or moving
water, and telephoto fixed-frame shots. The cameras also offer Dual I.S.2 with a high-precision 5-axis gyro sensor for
stills shooting.
A variety of video functions and recording options
The LUMIX S5IIX is built for the videographer who desires freedom from restriction. Introducing 4:2:0
10-bit 6K (3:2) to the S Series, which makes it easy to crop for multiple aspect ratios (16:9, 9:16, 1:1) from the same
source footage while maintaining resolution. For example, when you take a 9:16 vertical image out of 6K footage you
still maintain a greater than 4K vertical image which can be viewed on mobile devices.
Active heat management systemThe S5IIX's new and extremely compact active heat management system delivers unlimited recording in all environments
while not adding extra bulk to hamper the photographer, providing free rein in the field.
V-Log/V-Gamut & REAL TIME LUTThe 14+ stop V-Log/V-Gamut capture offers a high dynamic range, consistent colour management and streamlined post-production. In addition, with
in-camera colour grading via REAL TIME LUT, creative scope is increased while workflow is reduced – excellent for
repeatable setups such as content creators who work in the same studio or are looking to repeat the same style in camera
instead of applying the same LUT in post.
4:2:0 10-bit 6K* + unlimited 4:2:2 10-bit C4K/4K recording capabilityThe S5II camera provide 4:2:0 10-bit 6K (17:9) / 5.9K (16:9), unlimited 4:2:2 10-bit C4K/4K recording capability. HFR
(High Frame Rate) in C4K/4K (48p), FHD (120p), Slow & Quick motion in C4K/4K(1-60fps) / FHD(1-180fps), and 4K HDR video
recording are also available. 4K 60p Time Lapse video can also be produced in-camera where the exposure is automatically
adjusted to prevent large changes in brightness between adjacent frames, allowing smooth daytime to nighttime time
lapses to be created.
Optimised video tools & 4-channel audio recording supportPractical tools included are Waveform Monitor, Vector Scope, Zebra Pattern, System Frequency
(24.00Hz), Synchro Scan, Fan mode and a control panel for quick menu selection. By using the optional XLR Microphone Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone, you can capture
four channels of audio.
*When the camera is used at recommended operating temperature 0-40 degrees C.
6K and 5.9K at 30p/25p video recording stops once when continuous recording time exceeds 30 minutes if [Thermal
Management] is set to [STANDARD]
Enhanced workflow
The small size of the new S Series cameras and the lenses available means a low-impact kit, and no compromise on
performance with a wealth of capabilities designed for a superior shooting experience. AWB Lock keeps the white balance
set in auto, while Sheer Overlay can now be used in Creative Video mode footage sequences. Live Crop allows digital
zooming and panning on the 6K sensor in a 4K video recording, making it easy for a creator to add smooth motion without
having to move the camera.
Larger EVF & 3.0-inch free-angle LCD rear monitor with touch control
In a step up from the S5, the new, larger 3,680K-dot OLED LVF (Live View Finder) has a magnification ratio of approx.
1.52x / 0.76x (35mm camera equivalent). A versatile, bright free-angle 3.0-inch LCD rear monitor (3:2 aspect, 1840K-dot)
with touch control allows for quick changes to settings, even when both the HDMI cable and USB cable are connected, or
the user is in front of the camera.
Live View Composite Mode
The Live View Composite Mode takes away the guess work, allowing the photographer to set the desired exposure, take
the shot, then view the image on the screen as it is being exposed in real time. Once they are happy with how the shot
looks, they simply hit the shutter button again to stop the exposure. This mode is also great for light painting,
shooting light trails and other long exposure scenarios.
96-megapixel High Resolution Mode
The drive dial now includes a setting for 96-megapixel High Resolution Mode. In this mode the camera captures 8 images
in quick succession, with small movements of the sensor between shots to capture extra resolution. There is no
requirement to stitch images using software as the camera combines the shots into one image. This mode also features
motion compensation, further expanding the use of High Resolution Mode in general photography.
Impressive quality, performance and connectivity
The S5IIX has been designed to offer dependable video recording in real-world conditions and have a new
heat dispersion mechanism combining a small fan and high-efficiency heat sink. As a result, they achieve continuous
video recording in C4K 60p, while the camera body remains conveniently compact. Users can shoot worry-free, whether
capturing extended recordings or livestreaming. To withstand heavy field use, the cameras have a magnesium alloy full
die-cast body and are splash/dust-resistant.
The LUMIX S5IIX supports USB 3.2 Gen 2 for high-speed writing and readout. The dual SD Card slots (UHS-II x 2)
offer a choice of Relay Recording, Backup Recording or Allocation Recording modes, with the card access indicator now
located inside the card slot cover. Videographers will be thrilled that the cameras have a full HDMI Type A terminal,
offering a more robust connection without the need for adaptors. For external microphone connection, a Φ3.5mm input jack
is provided as well as a headphone jack.
Content sharing with smartphones is streamlined using Bluetooth 5.0 Low Energy connection, Wi-Fi 5-GHz (IEEE802.11ac)
and 2.4-GHz (IEEE 802.11b/g/n). With an always-on Bluetooth connection, a smartphone can act as the camera’s remote
control via the LUMIX Sync app. The settings of the LUMIX S5II can also be copied and transmitted wirelessly
to other S5IIX cameras when using multiple cameras.
The S5IIX is compatible with LUMIX Tether applications which enable tethered shooting via USB. Users can control and
view multiple cameras by connecting them to a PC. For live streaming, LUMIX Tether for Streaming (Beta) with LIVE VIEW
mode is available. LUMIX Sync for iOS/Android devices enables image transfer to a smartphone or tablet via easy wireless
connection.
The 2200mAh high-capacity battery (DMW-BLK22) can be recharged either via AC or USB which is convenient if you are
travelling and want to use a USB power bank. It also complies with USB PD (Power Delivery) when used with the optional
LUMIX Battery Charger (DMW-BTC15). The optional Battery Grip (DMW-BGS5) is also compatible with the S5IIX.
MPN - DC-S5M2XGN
GTIN - 8887549853326
Panasonic LUMIX S5IIX
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