Panasonic GH5 Vlogging Kit

Panasonic GH5 Vlogging Kit

Panasonic GH5 Vlogging Kit

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Upgrade your vlogging setup today with this popular package consisting of the Panasonic DC-GH5 Body & 12-35mm F2.8 MkII Kit, the practical Manfrotto 290 Light Aluminum Tripod with Befree live fluid video head, and a directional microphone in the form of a Rode VideoMic NTG.

Pairing beautiful image quality with a practical and easy-to-use setup. The Panasonic GH5 Vlogging Kit with Manfrotto Video Tripod and Rode VideoMic NTG is a great way to get started vlogging - and telling your story.

Features

  • Build In WIFI
  • Touchscreen LCD
  • Image Processor
  • CMOS Sensor
  • View Finder
  • 4K Video
  • Micro Four Thirds System
  • DCI 4K Video Recording at up to 60 fps
  • 4:2:2 10-bit Internal Recording
  • 6K PHOTO & 4K PHOTO Modes
  • Flexible shooting with 2 leg angles
  • Durable aluminium adjustable leg locks
  • Firm grip thanks to rubber leg warmers
  • Smoother movement with Fluid Drag System
  • Tripod with head made to Italian quality standards
  • Highly directional shotgun microphone
  • In-built rechargeable lithium-ion battery (30+ hours use)
  • 3.5mm auto-sensing output for cameras or mobile devices
  • USB audio compatibility for direct connection to computers
  • Pad, safety channel, HF boost, two-stage high-pass filter

 

Panasonic DC-GH5 Body & 12-35mm F2.8 MkII Kit

The Panasonic DC-GH5 Body & 12-35mm F2.8 MkII Kit allows for incredible photographs and videos. It features 10 bit, 4K video recording, as well as 6K photos at a staggering 30 fps. This makes the Panasonic DC-GH5 body and 12-35mm F2.8 MkII kit a great all-rounder for photographers looking for the best of both hi-def worlds. The camera provides uncompressed HDMI output to external monitors and storage devices, enabling exceptional quality streaming and recording. There are few cameras that are as versatile, offering a compact size with outsized features and highly precise final results.

Another feature that makes this a great buy is the built-in five-axis sensor stabilisation. When combined with compatible lenses, it activates Dual I.S. 2 that can correct for up to five stops of shutter speed. This makes the Panasonic DC-GH5 and 12-35mm F2.8 MkII kit a great choice for action photography, ensuring clear and accurate pictures regardless of the shooting conditions.

The 12-35mm F2.8 MkII lens features dust/dirt/moisture and freeze proof construction. It is built to last and designed to withstand any condition. It is the perfect companion to the Panasonic DC-GH5 body and gives photographer the versatility they need for both still photographs and video recording.

Upgraded, redesigned, and filled with features, the Panasonic DC-GH5 body provides an outstanding imaging platform for shooters who demand some of the best video and still photography quality they can get in a single compact camera. At the heart of the camera is a 20.3MP Digital Live MOS sensor and a newly developed Venus Engine processor and both offer dramatically improved processing times over its predecessor.

This allows users to record 4K video at up to 60 fps, 10-bit 4:2:2 internal recording with select settings, Full HD video at up to 180 fps, 12 fps continuous shooting, and sensitivities up to ISO 25600. The camera also features built-in five-axis sensor stabilisation, which can work with certain lenses to activate Dual I.S. 2 for highly effective shake correction that can compensate for up to 5 stops of shutter speed. Other improvements include a speedier and more accurate Advanced DFD autofocus system that can lock on in just 0.05 seconds, as well as 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps.

Along with all these internal improvements, the body received some significant upgrades as well. For viewing and composing images both the 0.76x OLED viewfinder and 3.2" free-angle touchscreen received resolution bumps to 3.68m dots and 1.62 m dots, respectively. This makes shooting more comfortable and more accurate. The magnesium alloy body is now freeze proof to -10°C, in addition to splash and dustproof. For fast image transfer and saving, there are now two UHS-II SD card slots. Additionally, for a completely wireless setup it offers both wi-Fi and Bluetooth and advanced functionality when paired with a mobile app.


Key Features of the Panasonic DC-GH5 Body & 12-35mm F2.8 MkII Kit

  • Micro Four Thirds System
  • DCI 4K Video Recording at up to 60 fps
  • 4:2:2 10-bit Internal Recording
  • 6K PHOTO & 4K PHOTO Modes

20.3MP Digital Live MOS Sensor and Venus Engine

The newly developed 20.3MP Digital Live MOS sensor and a new Venus Engine processor, enables the GH5 to produce the best image quality to date from a Lumix camera. Using Multipixel Luminance Generation and Intelligent Detail Processing maximises sharpness and details, as well as accuracy, in a variety of lighting conditions. It offers excellent three-dimension colour control and precise noise reduction techniques for shooting at sensitivities up to ISO 25600. It also enables shooting speeds of up to 12 fps with AF-S or manual focus modes.

4K Video Recording

The GH5 is an exceptionally capable video camera in addition to its outstanding capabilities as a top-quality still camera. The flagship feature is UHD 4K video at up to 60 fps, though another excellent spec is the ability to record 4:2:2 10-bit files at resolutions up to DCI and UHD 4K at 24/30 fps. A full-size HDMI port is present on the camera for high-quality output at 4:2:2 10-bit in all settings for use with external monitors and recorders. The camera also offers high bit-rate recording for highly detailed images free from compression artefacts.

For advanced users, multiple picture styles are available and this provides a more gradable image, such as CINELIKE V and CINELIKE D, as well as an in-camera LUT to make monitoring easier. Users will also have access to over cranking and under cranking settings, which provides speeds up to 2.5x slower in 4K (60 fps) and 7.5x slower in Full HD (180 fps). Also, a 4K Anamorphic mode is available and this lets you record in a proper 4:3 ratio for adjustment in post-production.

The GH5 is an expandable system, with multiple options available to help improve video recording capabilities. Examples of this are an optional V-Log L upgrade and other accessories such as the XLR Microphone Adapter provides XLR inputs and physical controls through a hot shoe connection. Users can also use standard microphones and headphones via the 3.5mm input and output jacks. These extras allow users to continue to upgrade and improve the Panasonic DC-GH5 and get many years of use from the system without worrying about it becoming obsolete too soon.

6K and 4K PHOTO

Utilising the GH5's video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30-fps shooting rate:

  • Burst: Just as with video recording, this mode will allow you to continuously record for up to 29 min. 59 sec., making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18 MP frame.

Dual I.S. 2

Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the GH5's sensor-shift image stabilisation technology with lens-based image stabilisation to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilisation system is able to compensate for approximately five stops of camera shake.

Body Design and Built-In Wi-Fi

  • A large OLED Live View Finder has an impressive 3.86m-dot resolution and 0.76x magnification for eye-level composition.
  • A larger means for image composition and playback, the 3.2" 1.62m-dot rear RGBW LCD monitor has a free angle, tilt and swivel design to support viewing from a variety of angles. It is also a touchscreen, which permits intuitive menu navigation and settings control.
  • Dual UHS-II SD card slots are present which provides settings such as Relay Recording to automatically switch cards when one is full; Backup Recording, which recording the same data to both cards simultaneously; and Allocation Recording, which lets you save certain files to each card for easier organization.
  • Constructed from magnesium alloy with die-cast front and rear frames, the Panasonic DC-GH5 features a durable design that also incorporates extensive sealing at each joint, dial, and button to render it both splash- and dust-proof as well as freeze proof to 14°F.
  • A joystick is available on the rear of the camera to make changing many settings easier and more intuitive, such as changing a focus point.
  • The sleek Panasonic DC-GH5 flat-body profile incorporates both front and rear dials for intuitive control over aperture and shutter speed settings. Multiple assignable function buttons are also available, as well as a dedicated exposure compensation dial.
  • Built-in 5 GHz Wi-Fi connectivity with NFC and Bluetooth 4.2 Low Energy allows for wireless image sharing and remote camera control from linked smartphones and tablets. Bluetooth LE also enables a constant connection to your mobile device, allowing for functions such as geolocation and automatic image transfer.

225-Area Advanced Depth-From-Defocus AF System

For accelerated autofocus performance, and Advanced DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.05 seconds, which enables continuous shooting up to 9 fps with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. The sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -4 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation.

Other Camera Features

  • A mechanical focal plane shutter enables a fast maximum shutter speed of 1/8000 sec., as well as a top flash sync speed of 1/250 sec. An electronic shutter function also avails a top shutter speed of 1/16,000 sec. to better enable working in bright conditions and with wider aperture settings.
  • Raw image files can be processed in-camera for a more streamlined post-production workflow.
  • Depending on the lens in use, the included DMW-BLF19 battery provides approximately 400 shots per charge when using the rear monitor, or 380 with the electronic viewfinder.
  • Photo Style modes: Standard, Vivid, Natural, Monochrome, Scenery, Portrait, Custom, Cinelike D, and Cinelike V.
  • Creative Control modes: Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, and Sunshine.

Panasonic Lumix G X Vario 12-35mm f/2.8 Asph. Lens for Micro 4/3 (Black)

The Panasonic Lumix G X Vario 12-35mm f/2.8 Asph. Lens for Micro 4/3 (Black) is the first constant-aperture standard zoom for a mirrorless system camera. With an equivalent (in 35mm format) 24-70mm zoom range, this is a close match for a type of zoom lens that's very popular with photographers using full-frame cameras--from a true wide-angle to a short telephoto focal length and a bright f/2.8 maximum aperture through the entire range.

This lens features POWER O.I.S. image stabilisation, nearly silent operation when shooting video, and specially treated glass that dramatically reduces ghosting and flare (Nano Surface Coating), minimizes chromatic aberration (Ultra Extra-Low Dispersion glass), and improves descriptive performance from corner to corner (Ultra High Refractive glass). A splash-proof and dust-proof design means you won't need to handle this lens with kid gloves, or put your camera away when a drop of rain falls. It is designed to withstand the harshest conditions and perform under all manner of stress.


Key Features of the Panasonic Lumix G X Vario 12-35mm f/2.8 Asph. Lens for Micro 4/3 (Black)

  • Lens has f/2.8 brightness over the entire zoom range
  • Nano Surface Coating technology for dramatic reduction of ghost and flare
  • UED (Ultra Extra-Low Dispersion) lens minimize chromatic aberration while the UHR (Ultra High Refractive) lens realizes high descriptive performance from corner to corner.
  • POWER O.I.S. (Optical Image Stabilizer) that suppresses large, slow movement 2x more effectively
  • Outstandingly compact and light-weight among the lens with the same level of performance
  • Capable of using under harsh conditions with its splash / dust proof design
  • Circular aperture diaphragm
  • Durable metal mount

 

The Manfrotto 290 Light Aluminum Tripod with Befree live fluid video head with head for vlogger and mobile journalist features the new Befree live fluid video head for smooth pans & tilts. This video tripod kit combines great performances and innovative design touches with total durability. The new befree live video head provide professional fluidity on pan & tilt ensuring you’ll have an intuitivevideo tripod set that will stand the test of time. A clever compact and lightweight design makes it especially easy to carry.

Great user-friendly design features include aluminium leg tubes, built to stay completely rigid for your peace of mind when up. Top castings enhance its stability even further, and aluminium leg locking levers give you the flexibility to tighten as needed. This makes the tripod with fluid head reliable even with heavy use over time. You can have great flexibility to create the perfect footage by adjusting the 2 leg angles and levelling with the centre column. The Manfrotto designed rubber leg warmer increase the grip and makes it very handy.

This tripod with fluid head also comes with the smallest and most lightweight video head in the Manfrotto range. The Befree Live Fluid Head has a dedicated sliding plate to perfectly balance the latest camcorders, DSLRs or mirrorless cameras with video capabilities and it has awesome fluidity on Pan & Tilt thanks to the fluid drag system inherited from all the Manfrotto Video head range. The Befree Live Fluid head is extremely portable and weights just 0.38kg, yet it can support a payload of up to 4kg giving the possibility to better control your movements during your video footage.


Key Features of the Manfrotto 290 Light Aluminum Tripod with Befree live fluid video head

  • Flexible shooting with 2 leg angles
  • Durable aluminium adjustable leg locks
  • Firm grip thanks to rubber leg warmers
  • Smoother movement with Fluid Drag System
  • Tripod with head made to Italian quality standards
 

Rode VideoMic NTG

The Rode VideoMic NTG is a feature-packed, broadcast-grade short shotgun microphone optimised for on-camera use. It features the same revolutionary acoustic design as the NTG5 broadcast shotgun microphone, which delivers unmatched transparency and a natural, uncoloured sound. Flat frequency response, tight polar pattern, two-stage high-pass filter, precision gain control and a switchable pad ensure superior audio in any recording.

As well as sounding outstanding, the VideoMic NTG is extremely flexible, with an array of tools and features to help you take on any recording situation. Digital switching gives you access to a high-pass filter, -20dB pad, high frequency boost, and safety channel, plus there is a unique infinitely variable gain control that allows you to precisely tailor the output as you need. Its auto-sensing 3.5mm output detects what device you are connected to (camera or mobile) and switches to accommodate. There is also a handy new dB peak warning light, so you can always ensure your audio isn’t clipping.

The VideoMic NTG is so much more than just an on-camera mic. As well as pairing perfectly with DSLRs, compact cameras, and smartphones – either on-camera, as a boom mic, or on a pistol grip – it is also a fully-featured USB microphone that can be plugged into a computer, tablet, or smartphone. On top of this, the 3.5mm jack doubles as a headphone output for seamless monitoring of audio while using the USB output.

An in-built rechargeable lithium-ion battery provides 30+ hours of usage, with an auto-power feature ensuring extended battery life.


Key Features of the Rode VideoMic NTG

  • Highly Directional
  • USB Audio Compatible
  • Auto-sensing Output
  • Precision Gain Control
  • Safety Channel
  • 30+ Hours Battery Life
  • Revolutionary acoustic design
  • Flat frequency response, low self-noise
  • Auto-sensing 3.5mm output automatically switches between TRRS & TRS
  • USB output with headphone monitoring
  • dB peak warning light
  • ​Digital switching for HPF, HF boost, pad, safety channel
  • High-quality Rycote® Lyre® shock mounting with cable management and sliding rail
  • Lightweight (94g) and rugged aerospace-grade aluminium construction

Technology Ported from the NTG5

The VideoMic NTG's body features acoustic perforations rather than the linear slots traditionally used in shotgun microphones. This annular line tube technology was ported from Rode's NTG5 to deliver transparency and a natural, uncoloured sound.

Directional Sound Pickup

The VideoMic NTG utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its low-noise electronics and sensitive condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders. Since it is even more sensitive than the VideoMic Pro+ model, it requires less gain to achieve an equivalent signal level.

Bass Roll-Off and Treble Boost

The high-pass filter can be set to 75 Hz or 150 Hz to roll off low-frequency noise from common sources such as air conditioners and traffic. Rode also outfitted the VideoMic NTG with a selectable high-frequency boost, which enhances detail and clarity in the treble range for clear intelligible recordings.

-20 dB Pad and Continuously Variable Gain

To enable effortless optimization of recording levels for any device, the VideoMic NTG boasts a continuously variable gain control and a helpful audio peak warning light. Whether you need mic level, line level, headphone level, or something in between, the right level is available at the turn of a knob. Press the dedicated button for the -20 dB pad to quickly lower the level when loud sound sources threaten to distort your recording.

Selectable Safety Channel

By pressing the dedicated safety channel button, you can set the mic's right channel to output 20 dB lower than the left channel. This lets you record a safety channel and the main signal to your camera at the same time.


24-bit / 48 kHz USB Microphone Functionality

Plug the VideoMic NTG into your computer, smartphone, or tablet via USB to use it as a digital USB microphone for direct recording to your favorite software. Its integrated analog-to-digital converter operates at 24-bit / 48 kHz to provide full-resolution, uncompressed audio quality.

Convenient Headphone Monitoring

When using the VideoMic NTG as a USB microphone, plug your headphones into its 3.5mm output for convenient stereo headphone monitoring. Control the headphone volume via the gain knob on the bottom of the mic.

Extensive Device Compatibility

The VideoMic NTG's auto-sensing 3.5mm TRRS output automatically switches between TRS and TRRS as necessary, so you won't need additional adapter cables. The 3.5mm jack is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your recording device.

Internal Rechargeable 30-Hour Battery & Manual or Automatic Power On/Off

The internal rechargeable lithium-ion battery offers up to 30 hours of run time and recharges via USB Type-C in about two hours. Since the VideoMic NTG can be charged while you use it, you can even simultaneously power and charge it with a USB battery pack.

When connected to the mic input of a compatible camera, the VideoMic NTG automatically turns on or off in response to the presence or absence of plug-in power. As you'd expect, the mic shuts off when it detects a loss in power, either from powering off or disconnecting the camera. Plus, there is a power button for manually turning the mic on or off.

Windscreen & Shockmount included

The VideoMic NTG includes a foam windscreen to minimize unwanted wind noise from light breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the optional Rode WS-11.

Rode built the VideoMic NTG with a rugged Rycote Lyre suspension-style shockmount designed for attachment to a camera or boompole. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. The shockmount's sliding rail system lets shift the position of the mic forward or backward for perfect placement.

  • MPN - GH5VLOGKIT
  • GTIN - 9355905000756

What's In The Box

  • Panasonic DC-GH5 Body & 12-35mm F2.8 MkII Kit
  • Manfrotto 290 Light Aluminum Tripod with Befree live fluid video head
  • Rode VideoMic NTG
  • SM7-R Shoe Shockmount
  • Foam Windscreen
  • SC10 3.5mm TRRS Cable
  • USB Type-A to USB Type-C Cable
Brand Panasonic
Lens Mount Micro Four Thirds
Lens Focal Length 12 - 35mm
Comparable 35mm Focal Length: 24 - 70 mm
Effective Megapixels 20.3 Megapixel
Max Resolution 20 MP: 5184 x 3888
Sensor Size MOS, 17.3 x 13 mm
Image Stabilization Sensor-Shift, 5-Way
Memory Card Type SD
SDHC
SDXC
Focus Mode Continuous-Servo AF (C), Flexible (AFF), Manual Focus (M), Single-servo AF (S)
Autofocus Points Contrast Detection: 225
Viewfinder Type Electronic
LCD Screen Size 3.2“
Touch Screen Yes
ISO Sensitivity Auto, 200-25600 (Extended Mode: 100-25600)
Shutter Speeds Type: Electronic & Mechanical
Speed: 60 - 1/8000 Second
Type: Electronic & Mechanical
Speed: 30 - 1 Minute in Bulb Mode
1/24 - 1/16000 Second in Movie Mode
Type: Electronic
Speed: 1 - 1/16000 Second
Metering Method Center-Weighted Average Metering, Multiple, Spot Metering
Exposure Modes Aperture Priority, Manual, Programmed Auto, Shutter Priority
Continuous Shooting Speed Up to 12 fps at 20.3 MP
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
White Balance Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Dust Reduction System Yes
Built-in Flash No
Max Sync Speed 1 / 250 Second
Audio Recording Built-In Mic: With Video (Stereo)
Optional External Mic: With Video (Stereo + Mono)
Connectivity 1/8“ Headphone, 1/8“ Microphone, 2.5mm Sub-mini (2-Ring), HDMI A (Full Size), USB 3.0, Viera Link
Wi-Fi Yes
Battery 1 x DMW-BLF19 Rechargeable Lithium-Ion Battery Pack, 7.2 VDC, 1860 mAh
Dimensions (WxHxD) 5.5 x 3.9 x 3.4“ / 138.5 x 98.1 x 87.4 mm
Weather Sealed Operating
14 to 104F (-10 to 40C)
Humidity: 10 - 80%
Weight 725
Megapixels 20 Megapixels
Lens mount Micro Four Thirds
Camera Format Micro Four Thirds (2x Crop Factor)
Maximum Resolution 20 MP: 5184 x 3888
Aspect Ratio 1:1, 3:2, 4:3, 16:9
Sensor Type MOS, 17.3 x 13 mm
File Format Still Images: JPEG, RAW Movies: AVCHD Ver. 2.0, H.264, MOV, MP4 Audio: AAC, Dolby Digital 2ch
Dust Reduction System Yes
Media Type SD SDHC SDXC
Image Stabilization Sensor-Shift, 5-Way
Video Recording Yes, NTSC/PAL
Video Format 4096 x 2160p at 23.98, 24, 25 fps 3840 x 2160p at 23.98, 24, 25, 29.97, 50, 59.94 fps 3328 x 2496p at 23.98, 24, 25, 29.97, 50, 59.94 fps 1920 x 1080p at 23.98, 24, 25, 29.97, 50, 59.94 fps
Audio Recording Built-In Mic:With Video (Stereo) Optional External Mic:With Video (Stereo + Mono)
Focus Type Auto & Manual
Focus Modes Continuous-servo AF (C), Flexible (AFF), Manual Focus (M), Single-servo AF (S)
Autofocus Points Contrast Detection: 225
Viewfinder Electronic
Viewfinder Pixel Count 3,686,000
Viewfinder Eye Point 21.00 mm
Viewfinder coverage 100 %
ISO Sensitivity Auto, 200-25600 (Extended Mode: 100-25600)
Shutter Type: Electronic & Mechanical Speed: 60 - 1/8000 second Type: Electronic & Mechanical Speed: 30 - 1 minute in Bulb Mode 1/24 - 1/16000 second in Movie Mode Type: Electronic Speed: 1 - 1/16000 second
Metering Method Center-weighted average metering, Multiple, Spot metering
Exposure Modes Modes: Aperture Priority, Manual, Programmed Auto, Shutter Priority Metering Range: EV 0.0 - EV 18.0 Compensation: -5 EV to +5 EV (in 1/3 EV Steps)
White Balance Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting Up to 12 fps at 20.3 MP Up to 30 fps at 18 MP Up to 60 fps at 8 MP
Built-in Flash No
Flash Modes Auto Auto/Red-eye Reduction Forced On Forced On/Red-eye Reduction Off Slow Sync Slow Sync/Red-eye Reduction
Max Sync Speed 1 / 250 second
Flash Compensation -3 EV to +3 EV (in 1/3 EV steps)
Dedicated Flash System TTL
External Flash Connection Hot Shoe, PC Terminal
Self-Timer 10 seconds, 2 seconds
Interval Recording Yes
Connectivity 1/8 inch Headphone, 1/8 inch Microphone, 2.5mm Sub-mini (2-Ring), HDMI A (Full Size), USB 3.0, Viera Link
Wi-Fi Connectivity Yes
Battery 1 x DMW-BLF19 Rechargeable Lithium-ion Battery Pack, 7.2 VDC, 1860 mAh
Operating Temperature -10 to 40C Humidity: 10 - 80%
Dimensions 138.5 x 98.1 x 87.4 mm
Weight 725
Diaphragm Blades 7, Rounded
Lens Max Reproduction Ratio 1:5.88
Magnification 0.17x
Autofocus Yes
Optical Design 14 Elements in 9 Groups
Minimum Focus Distance 25 cm
Angle of View 84 - 34
Aperture Maximum: f/2.8
Minimum: f/22
Lens Filter Size Front: 58 mm